for Keith McIvor

On friendship and transience – between Fuji, Unsound and Making Time

It is 12 September 2025 and I am dancing. It is not just sweat running down my forehead and elsewhere during DJ Sprinkles’ (Terre Thaemlitz) four-hour set, it is also tears of joy. After months that felt like years, I trust my legs again to carry me through the night – or at least through four hours like this one at the Socore Factory Club in Osaka. I’ve written about it elsewhere on kaput, and I’ll leave it at that for today. Just this much: we always take it for granted that we can move around and share social spaces with others, but it’s a gift that cannot be appreciated enough.

I have been fortunate enough to have experienced two handfuls of sets by Terre Thaemlitz in my life, including four Sprinkles sets. But the one that night, as part of the Unsound Festival, will remain in my memory forever, second by second. A single great wave of joy. At this point, I would like to salute the club operator, whose exuberant euphoria should be the benchmark for everyone involved in nightlife.

Rewind. October 2022. Unsound Festival in Krakow. To my shame, I must admit that this was my first ever trip to Poland and therefore also my first Unsound. For years, it ran parallel to CMJ in New York, then I ran out of excuses – but this autumn, I travelled to Krakow with my friend Oli Isaacs. To cut a long story short: it was a fantastic weekend full of memorable encounters and equally memorable performances; naturally, I documented it in detail for kaput.

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Interview – Jason Williamson on “The Demise of Planet X”

Sleaford Mods: “It’s very rare that I’m on a positive streak”

Jason Williamson reflects once again on political exhaustion, masculinity, consumerism, and ageing without softening the edges. He talks to Christina Mohr candidly about collaboration, anger, hope, and why staying human matters more than ever.…

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book review in 4 situative acts

Spector Books feat. Sonic Resistance in Non-democratic Europe, Bunker Archéologie, Krieg & Wallenstein und Wolfgang Tillmans

On some page of ‘A Thousand Plateaus: Capitalism and Schizophrenia’ (originally published in 198…

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Interview

Sera Kalo “Vulnerability and surprise. That’s what I’m looking for. Always.“

On February 23 at HAU1, the Caribbean–US American singer and composer presents her latest album, …

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25 from 2000-2025

An album like a chimera: “When I Get Home” by Solange

A statement against statements and for art: Solange “When I Get Home” …

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25 from 2000-2025

Mother of Hyperpop: SOPHIE “Oil of Every Pearl’s Un-Insides”

Even though she is reluctant to do so, kaput author Laura Aha once again tells a queer heroine story…

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Festival

a dense topology: CTM Festival 2026

CTM Festival’s 27th edition unfolds a field of artistic forces. Under the theme “dissonate < > r…

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Philipp Joy Reinhardt 

Kapute Szene III – “What Is Sex?”

A collective painting consisting of garments by Paula Breuer, Luke Calzonetti, Katrin Fuchsloch, Rah…

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